Paradise Handbook von Alec Barth | Handbuch subversiver Strategien eines Films aus dem Iran | ISBN 9783864422485

Paradise Handbook

Handbuch subversiver Strategien eines Films aus dem Iran

von Alec Barth und Reyhan Bokaie, herausgegeben von Andreas Baur
Mitwirkende
Autor / AutorinAlec Barth
Autor / AutorinReyhan Bokaie
Herausgegeben vonAndreas Baur
Bildbeschreibung vonAli Ebrahim Beygi
Bildbeschreibung vonSina Ataeian
Bildbeschreibung vonYousef Panahai
Interview mitDorna Dibaj
Interview mitMartin Steyer
Interview mitLajos Wienkamp
Interview vonAlec Barth
Interview vonReyhan Bokaie
Buchcover Paradise Handbook | Alec Barth | EAN 9783864422485 | ISBN 3-86442-248-5 | ISBN 978-3-86442-248-5

Paradise Handbook

Handbuch subversiver Strategien eines Films aus dem Iran

von Alec Barth und Reyhan Bokaie, herausgegeben von Andreas Baur
Mitwirkende
Autor / AutorinAlec Barth
Autor / AutorinReyhan Bokaie
Herausgegeben vonAndreas Baur
Bildbeschreibung vonAli Ebrahim Beygi
Bildbeschreibung vonSina Ataeian
Bildbeschreibung vonYousef Panahai
Interview mitDorna Dibaj
Interview mitMartin Steyer
Interview mitLajos Wienkamp
Interview vonAlec Barth
Interview vonReyhan Bokaie

Dancing forbidden!

PARADISE HANDBOOK reveals a concise insight into the genesis of the film »Paradise«, which director Sina Ataeian Dena managed to realize in Iran over a period of many years without filming permission and on a very small budget. The resulting footage was eventually brought out of the country and processed and finished in Berlin-Babelsberg. »Paradise« celebrated its ­premiere in 2015 in competition at Locarno Film Festival and was subsequently awarded various ­prizes. The book reveals a fascinating view of how the film crew dealt creatively with the massive ­restrictions on filming in Iran. It breaks down, like a ­manual, the logistical, strategic, and technical ­efforts underlying the images and scenes in ­»Paradise« that the team applied to circumvent the plethora of restrictions. Created as a docu­mentary feature film, »Paradise« presents the viewer with seemingly mundane scenes of life. ­However, to create the impression of a realistic ­representation of everyday life meant that very ­complicated precautions had to be taken. Iranian censorship, especially of feature films, scrupulously regulates everything that could somehow be ­understood as critique, such as the (absolutely ­necessary) concealment of female characters; and to show adolescent girls dancing to pop music in a school bus or during school breaks, is completely unimaginable.

Exhibition:
Hidden / Secret – Strategien des Verborgenen
Villa Merkel Galerien der Stadt Esslingen am Neckar, 25/3–3/6/2018