Texte zur Kunst (1990-1998) von Benjamin Buchloh | Généalogie d'une critique | ISBN 9783037642146

Texte zur Kunst (1990-1998)

Généalogie d'une critique

von Benjamin Buchloh und weiteren, herausgegeben von Catherine Chevalier und Andreas Fohr
Mitwirkende
Herausgegeben vonCatherine Chevalier
Herausgegeben vonAndreas Fohr
Autor / AutorinBenjamin Buchloh
Autor / AutorinSabeth Buchmann
Autor / AutorinJudith Butler
Autor / AutorinThimothy Clark
Autor / AutorinDiederich Diederichsen
Autor / AutorinIsabelle Graw
Autor / AutorinTom Holert
Autor / AutorinMike Kelley
Autor / AutorinRosalind Krauss
Autor / AutorinJohn Miller
Buchcover Texte zur Kunst (1990-1998) | Benjamin Buchloh | EAN 9783037642146 | ISBN 3-03764-214-9 | ISBN 978-3-03764-214-6

Texte zur Kunst (1990-1998)

Généalogie d'une critique

von Benjamin Buchloh und weiteren, herausgegeben von Catherine Chevalier und Andreas Fohr
Mitwirkende
Herausgegeben vonCatherine Chevalier
Herausgegeben vonAndreas Fohr
Autor / AutorinBenjamin Buchloh
Autor / AutorinSabeth Buchmann
Autor / AutorinJudith Butler
Autor / AutorinThimothy Clark
Autor / AutorinDiederich Diederichsen
Autor / AutorinIsabelle Graw
Autor / AutorinTom Holert
Autor / AutorinMike Kelley
Autor / AutorinRosalind Krauss
Autor / AutorinJohn Miller
This first French anthology based on the German journal „Texte zur Kunst“ gives a new use value to a selection of texts published between 1990 and 1998. It is intended to allow an incisive dialogue to be started—or continued—with certain high-profile American theoretical approaches („October“ or „Artforum“) as well as with the various reactions to „French Theory“ or the response to cultural, feminist and post-colonial studies. It also demonstrates a purposefully and methodically tested form of writing criticism. Finally it reconstructs the immediate context in which the texts were written and—more broadly—the intellectual and artistic environment of Cologne in those years, while avoiding going along with the myth of a scene focused round a few central artistic figures. So it is in fact the genealogy of one of the most stimulating bodies of criticism of its day that is the focus of this book. * * The book is part of the Documents series, co-published with Les presses du réel and dedicated to critical writings.