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![]( "Buchcover ISBN 9783861359210")
Contents:
+++ Book Reviews (Eva-Maria van Straaten, ed.)
* Scott V. Linford: Robert B. Winans (ed.), Banjo Roots and Branches. (2018) * Dongshin Chang: Nancy Yunhwa Rao, Chinatown Opera Theater in North America. (2017) * Eric Petzoldt: Robert Lachmann and Ruth Davis (eds.), The „Oriental Music“ Broadcasts 1936–1937—A Musical Ethnography of Mandatory Palestine. (2013) * Charissa Granger: Andrew Martin, Ray Funk, and Jeannine Remy, Steelpan in Education: A History of the Northern Illinois University Steelband. (2017) * Brian Diettrich: Frederick Lau and Christine R. Yano (eds.), Making Waves: Traveling Musics in Hawai′i, Asia, and the Pacific. (2018) * Marissa Moore: Jonathan Dueck, Congregational Music, Conflict and Community. (2017) * Megan Jane Sinnott: Andrew N. Weintraub and Bart Barendregt (eds.), Vamping the Stage: Female Voices of Asian Modernities. (2017) * Anna-Elena Pääkkölä: Lori Burns and Steven Lacasse (eds.), The Pop Palimpsest: Intertextuality in Recorded Popular Music. (2018) * Werner Graebner: Frank Gunderson, The Legacy of Tanzanian Musicians Muhidin Gurumo and Hassan Bitchuka. Rhumba Kiserebuka! (2018)(2017) * Mischa van Kan: Gerhard Kubik, Jazz Transatlantic, Volume I: The African Undercurrent in Twentieth-Century Jazz Culture; Jazz Transatlantic, Volume II: Jazz Derivatives and Developments in Twentieth-Century Africa. (2017)
+++ Recording Reviews (Rehanna Kheshgi, ed.)
* Kathryn Alexander: The Groove Is Not Trivial. Verite Productions. Directed by Tommie Dell Smith. (2016) * Kiku Day: Teruhisa Fukuda. Japan: Musical Offering of a Shakuhachi Master. Produced by the Musée d’ethnographie de Genève. (2018) * Polina Dessiatnitchenko: Gochag Askarov and Pierre De Trégomain. Mugham Souls. Felmay Records. (2017) * Joe Kinzer: Laos: Musique des Khmou. Recorded by Véronique de Lavenère. Produced by the Musée d′ethnographie de Genève. (2017)
+++ About the Contributors
+++ the world of music (new series)
+++ Book Reviews (Eva-Maria van Straaten, ed.)
* Scott V. Linford: Robert B. Winans (ed.), Banjo Roots and Branches. (2018) * Dongshin Chang: Nancy Yunhwa Rao, Chinatown Opera Theater in North America. (2017) * Eric Petzoldt: Robert Lachmann and Ruth Davis (eds.), The „Oriental Music“ Broadcasts 1936–1937—A Musical Ethnography of Mandatory Palestine. (2013) * Charissa Granger: Andrew Martin, Ray Funk, and Jeannine Remy, Steelpan in Education: A History of the Northern Illinois University Steelband. (2017) * Brian Diettrich: Frederick Lau and Christine R. Yano (eds.), Making Waves: Traveling Musics in Hawai′i, Asia, and the Pacific. (2018) * Marissa Moore: Jonathan Dueck, Congregational Music, Conflict and Community. (2017) * Megan Jane Sinnott: Andrew N. Weintraub and Bart Barendregt (eds.), Vamping the Stage: Female Voices of Asian Modernities. (2017) * Anna-Elena Pääkkölä: Lori Burns and Steven Lacasse (eds.), The Pop Palimpsest: Intertextuality in Recorded Popular Music. (2018) * Werner Graebner: Frank Gunderson, The Legacy of Tanzanian Musicians Muhidin Gurumo and Hassan Bitchuka. Rhumba Kiserebuka! (2018)(2017) * Mischa van Kan: Gerhard Kubik, Jazz Transatlantic, Volume I: The African Undercurrent in Twentieth-Century Jazz Culture; Jazz Transatlantic, Volume II: Jazz Derivatives and Developments in Twentieth-Century Africa. (2017)
+++ Recording Reviews (Rehanna Kheshgi, ed.)
* Kathryn Alexander: The Groove Is Not Trivial. Verite Productions. Directed by Tommie Dell Smith. (2016) * Kiku Day: Teruhisa Fukuda. Japan: Musical Offering of a Shakuhachi Master. Produced by the Musée d’ethnographie de Genève. (2018) * Polina Dessiatnitchenko: Gochag Askarov and Pierre De Trégomain. Mugham Souls. Felmay Records. (2017) * Joe Kinzer: Laos: Musique des Khmou. Recorded by Véronique de Lavenère. Produced by the Musée d′ethnographie de Genève. (2017)
+++ About the Contributors
+++ the world of music (new series)