Keith Coventry | ISBN 9783775742931

Keith Coventry

Mitwirkende
Einleitung vonNorman Rosenthal
Bildbeschreibung vonIwona Blazwick
Bildbeschreibung vonMichael Bracewell
Bildbeschreibung vonDiedrich Diederichsen
Bildbeschreibung vonAndrew Hibbard
Bildbeschreibung vonNick Zangwill
Designed vonGabriele Sabolewski
Künstler / KünstlerinKeith Coventry
Buchcover Keith Coventry  | EAN 9783775742931 | ISBN 3-7757-4293-X | ISBN 978-3-7757-4293-1

Keith Coventry

Mitwirkende
Einleitung vonNorman Rosenthal
Bildbeschreibung vonIwona Blazwick
Bildbeschreibung vonMichael Bracewell
Bildbeschreibung vonDiedrich Diederichsen
Bildbeschreibung vonAndrew Hibbard
Bildbeschreibung vonNick Zangwill
Designed vonGabriele Sabolewski
Künstler / KünstlerinKeith Coventry
With this publication, Keith Coventry (*1958, Burnley, Great Britain) presents an overview of his oeuvre from its beginnings in the early 1990s to the present day, shedding light on his exploration of the legacy of modernism and post-modernism. In his series Junk Paintings (2012), for example, a new visual vocabulary containing elements of the famous McDonald’s logo shifts into focus, blending with Minimalism and Pop Art. In the white Pure Junk Paintings (2015/16) he continues his work with these formal elements, but using new materials: wood, muslin, beeswax, glass, and gesso lend the paintings a sculptural presence. The same is true of the series Golden Arches (2016), for which parts of the McDonald’s logo were cast in bronze and heavily gold plated, contrasting a cheap, mass produced commodity with materials representing permanence, craft, and value. In Coventry’s art the consumer world and mass production encounter an aesthetic characterized by beauty and timelessness.