The Face that You See, the Face that I See von Tammam Hunaidy | Selected poems by Tammam Hunaidy, translated by Catherine Cobham, with photographs by Newsha Tavakolian | ISBN 9783910237001

The Face that You See, the Face that I See

Selected poems by Tammam Hunaidy, translated by Catherine Cobham, with photographs by Newsha Tavakolian

von Tammam Hunaidy, illustriert von Newsha Tavakolian, Vorwort von Catherine Cobham und Vorwort von Stefan Maneval, aus dem Arabischen übersetzt von Catherine Cobham
Mitwirkende
Autor / AutorinTammam Hunaidy
Illustriert vonNewsha Tavakolian
Übersetzt vonCatherine Cobham
Vorwort vonCatherine Cobham
Vorwort vonStefan Maneval
Buchcover The Face that You See, the Face that I See | Tammam Hunaidy | EAN 9783910237001 | ISBN 3-910237-00-2 | ISBN 978-3-910237-00-1
“This is such a beautifully collaborative book, in which the parts come together like a harmony, with the photographs setting the scene for the poetry.” – Wendy Shaw, art historian

The Face that You See, the Face that I See

Selected poems by Tammam Hunaidy, translated by Catherine Cobham, with photographs by Newsha Tavakolian

von Tammam Hunaidy, illustriert von Newsha Tavakolian, Vorwort von Catherine Cobham und Vorwort von Stefan Maneval, aus dem Arabischen übersetzt von Catherine Cobham
Mitwirkende
Autor / AutorinTammam Hunaidy
Illustriert vonNewsha Tavakolian
Übersetzt vonCatherine Cobham
Vorwort vonCatherine Cobham
Vorwort vonStefan Maneval
Tammam Hunaidy’s poems are as comforting as they are unsettling. Mixing irony with brutal honesty, they restore a sense of order to a life touched by the pain of exile and death. Hunaidy, born in Syria, left his country soon after the beginning of the Syrian uprising – first to Beirut, then to Egypt, Sweden, and Turkey, where he currently lives with his wife and daughter.
Hunaidy’s poetry is accompanied by 33 photographs by the Iranian artist and photojournalist, Newsha Tavakolian. While the exact location of her landscapes and still lifes remains uncertain, they were taken at a variety of places across Asia, Africa, and Europe that people have been forced to leave in recent years, or have passed through while escaping war, violence, repression, and poverty. Tavakolian’s photos conjure an air of profound melancholy and, like Hunaidy’s poems, offer brief glimpses of beauty in the everyday.