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Art in the Age of Technoscience
Genetic Engineering, Robotics, and Artificial Life in Contemporary Art
von Ingeborg Reichle, übersetzt von Gloria CustanceInhaltsverzeichnis
FOREWORDINTRODUCTION
I Art at the Edge of Science
Techno-Science-Art - Technological and Aesthetic (Trans)Formations of Art and Science
II Art (History) and Genetics
Early Intersections of Art and Biology
Gene Culture: Molecular Visions in Contemporary Art
The Art of DNA
III Transgenic Art - Art in the Age of Biotechnology
Eduardo Kac and the Emergence of Transgenic Art
The Art of Cloning: Genesis
Living pictures: GFP-K9 and Bunny 2000
Sources: Holopoetry, Telepresence Art and Telerobotic Art
Joe Davis and the Making of Transgenic Art
Art Emerging from the Laboratory
Living Art: Microvenus and the Milky Way DNA
The Delbrück-paradox: Riddle of Life
Semi-living Art: SymbioticA
IV The Grammar of Genetics
More than a Metaphor: The Emergence of Biofacts
Genetic Disorder: Bioaesthetics
BioArt: Where Art and Science Meet?
V Art in the Age of Cybernetics and Synthetic Biology
Art and Artificial Life
The Logic of Life
Learning about Life - Learning about Self-Orgnisation
Algorithms of the Living World
VI Artificial Life and Robotics
Living Sculptures
The Robot in the Garden
The Coevolution of organic and technological cultures
Art and Robotics
VII Artificial Life Art
Christa Sommerer and Laurent Mignonneau: Art and the Digital Evolution
Beyond Digital Naturalism: A-Volve
Art as a Living System: GENMA and Life Spacies
Silicon Second Nature: The Game of Life
VIII Art and Artificial Worlds
Jane Prophet: Communication and Digital Evolution
Virtual Bodies in the Digital Age: TechnoSphere and SWARM
Cyberspace: Deleting the Body
Art and Artificial Nature
CONCLUSION: Is science the new art?
Notes
Bibliography
Credits
Index