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Komparatistik 2023
Jahrbuch der Deutschen Gesellschaft für Allgemeine und Vergleichende Literaturwissenschaft
herausgegeben von Martin Sexl, Annette Simonis und Alexandra MüllerImagining Cultural Transfers —
Poetics of Cultural Contact, Circulation and Exchange
Introductory note
The articles of the group session explore the dynamics of cultural exchange
in literature, examining the circulation of narratives, images, concepts, and
ideas travelling within and beyond cultural boundaries on a global scale. Cultural
exchange proves to be a powerful stimulating agency of creative energy
entailing a considerable transformative potential. Moreover, multiple forms of
cultural contact and transfer have been the object of individual and collective
imaginations in a contemporary as well as a historical perspective. They constitute
key relationships at the very core of literary productions and artifacts in
other media. In this context, the imaginative process of modeling and reflecting
cultural transfer is not restricted to the limits of physical contact and empirical
factuality. Far from being limited to mere exotism, imaginings and aesthetic representations
of cultural contact play a crucial part in the evolution of cultures.
They may also, for instance, draw on oral as well as recorded sources of myth,
folklore, fantasy or even the phenomena of virtual reality.
The panel’s contributions focus on the different imaginings of cultural transfers
and their dynamics in literary texts. They analyze the poetic and stylistic
forms designed to express and capture the cultural circulation of concepts,
images, and experiences as well as their innovative and transformative implications.
(Translations, for example, play an important role in this context.)
Furthermore, they may also reflect on the relation between notions of cultural
transfer and comparative literature as an academic discipline. For example,
key terms of the discipline such as ‘world literature’ can be questioned (e. g.
the relevance of cross-cultural contacts for the thinking of ‘world literature’
and examined in regard to their implicit evaluations (e. g. the dominance of a
Western canon, relationships between ‘major’ and ‘minor’ literatures).
Poetics of Cultural Contact, Circulation and Exchange
Introductory note
The articles of the group session explore the dynamics of cultural exchange
in literature, examining the circulation of narratives, images, concepts, and
ideas travelling within and beyond cultural boundaries on a global scale. Cultural
exchange proves to be a powerful stimulating agency of creative energy
entailing a considerable transformative potential. Moreover, multiple forms of
cultural contact and transfer have been the object of individual and collective
imaginations in a contemporary as well as a historical perspective. They constitute
key relationships at the very core of literary productions and artifacts in
other media. In this context, the imaginative process of modeling and reflecting
cultural transfer is not restricted to the limits of physical contact and empirical
factuality. Far from being limited to mere exotism, imaginings and aesthetic representations
of cultural contact play a crucial part in the evolution of cultures.
They may also, for instance, draw on oral as well as recorded sources of myth,
folklore, fantasy or even the phenomena of virtual reality.
The panel’s contributions focus on the different imaginings of cultural transfers
and their dynamics in literary texts. They analyze the poetic and stylistic
forms designed to express and capture the cultural circulation of concepts,
images, and experiences as well as their innovative and transformative implications.
(Translations, for example, play an important role in this context.)
Furthermore, they may also reflect on the relation between notions of cultural
transfer and comparative literature as an academic discipline. For example,
key terms of the discipline such as ‘world literature’ can be questioned (e. g.
the relevance of cross-cultural contacts for the thinking of ‘world literature’
and examined in regard to their implicit evaluations (e. g. the dominance of a
Western canon, relationships between ‘major’ and ‘minor’ literatures).
