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Buchcover - Text in Public – Zine Performances and Rants - ISBN 978-3-947295-75-3
Produktbild 1 - Text in Public – Zine Performances and Rants - ISBN 978-3-947295-75-3
Produktbild 2 - Text in Public – Zine Performances and Rants - ISBN 978-3-947295-75-3
Produktbild 3 - Text in Public – Zine Performances and Rants - ISBN 978-3-947295-75-3
Produktbild 4 - Text in Public – Zine Performances and Rants - ISBN 978-3-947295-75-3
Produktbild 5 - Text in Public – Zine Performances and Rants - ISBN 978-3-947295-75-3
Produktbild 6 - Text in Public – Zine Performances and Rants - ISBN 978-3-947295-75-3
Produktbild 7 - Text in Public – Zine Performances and Rants - ISBN 978-3-947295-75-3
Text in Public – Zine Performances and Rants is the first monograph of writing by visual artist Emma Wolf-Haugh interconnecting performative works, performance scripts and assemblage texts, some of which have been generated through collective workshops.
Over the past decade Wolf-Haugh has developed an interdisciplinary practice, which incorporates and overlaps installation, performance, and experimental workshop formats, in which the practice of self- and collective DIY publishing often serves as a kind of porous container to re-combine and bundle their multifaceted activities with text.
The publication gathers together these texts, traversing particular cultural and historical sites, the lived present and imagined futures, incorporating auto-fiction and anecdote as part of a tradition of queer-transfeminist working class vernacular and ethics, promiscuous and adept at working within limitations.
Over the past decade Wolf-Haugh has developed an interdisciplinary practice, which incorporates and overlaps installation, performance, and experimental workshop formats, in which the practice of self- and collective DIY publishing often serves as a kind of porous container to re-combine and bundle their multifaceted activities with text.
The publication gathers together these texts, traversing particular cultural and historical sites, the lived present and imagined futures, incorporating auto-fiction and anecdote as part of a tradition of queer-transfeminist working class vernacular and ethics, promiscuous and adept at working within limitations.