Writing the History of "Ottoman Music" | ISBN 9783956502057

Writing the History of "Ottoman Music"

herausgegeben von Martin Greve, übersetzt von Martin Greve, Onur Nobrega und Efkan Oguz
Mitwirkende
Herausgegeben vonMartin Greve
Übersetzt vonMartin Greve
Übersetzt vonOnur Nobrega
Übersetzt vonEfkan Oguz
Buchcover Writing the History of "Ottoman Music"  | EAN 9783956502057 | ISBN 3-95650-205-1 | ISBN 978-3-95650-205-7
Inhaltsverzeichnis

Writing the History of "Ottoman Music"

herausgegeben von Martin Greve, übersetzt von Martin Greve, Onur Nobrega und Efkan Oguz
Mitwirkende
Herausgegeben vonMartin Greve
Übersetzt vonMartin Greve
Übersetzt vonOnur Nobrega
Übersetzt vonEfkan Oguz
Martin Greve: Introduction Bülent Aksoy: Preliminary Notes on the Possibility (or Impossibility) of Writing Ottoman Musical History Ralf Martin Jäger: Concepts of Western and Ottoman Music History Ruhi Ayangil: Thoughts and Suggestions on Writing Turkish Music History Ersu Pekin: Neither Dates nor Sources: A Methodological Problem in Writing the History of Ottoman Music Nilgün Dogrusöz: From Anatolian Edvâr (Musical Theory Book) Writers to Abdülbâkî Nâsir Dede: An Evaluation of the History of Ottoman/Turkish Music Theory Walter Feldman: The Musical “Renaissance” of Late Seventeenth Century Ottoman Turkey: Reflections on the Musical Materials of Ali Ufkî Bey (ca. 1610-1675), Hâfiz Post (d. 1694) and the “Marâghî” Repertoire Kyriakos Kalaitzidis: Post-Byzantine Musical Manuscripts as Sources for Oriental Secular Music: The Case of Petros Peloponnesios (1740-1778) and the Music of the Otto-man Court Gönül Paçaci: Changes in the Field of Turkish Music during the Late Ottoman/Early Republican Era Arzu Öztürkmen: The Quest for “National Music”: A Historical-Ethnographic Survey of New Approaches to Folk Music Research Okan Murat Öztürk: An Effective Means for Representing the Unity of Opposites: The Development of Ideology Concerning Folk Music in Turkey in the Context of Nationalism and Ethnic Identity Süley-man Senel: Ottoman Türkü Fikret Karakaya: Do Early Notation Collections Represent the Music of their Times? Sehvar Besiroglu: Demetrius Cantemir and the Music of his Time: The Concept of Authenticity and Types of Performance Andreas Haug: Reconstructing Western “Monophonic” Music Recep Uslu: Is an Echo of Seljuk Music Audible? A Methodological Research