The Existential Coordinates of the Human Condition: Poetic — Epic — Tragic

Inhaltsverzeichnis

• Aesthetic Enjoyment and Poetic Sense. Poetic Sense: The Irreducible in Literature.
• Movement in German Poems.
• Why be a Poet?.
• The Field of Poetic Constitution.
• The Poet in the Poem: A Phenomenological Analysis of Anne Sexton’s ‘Briar Rose (Sleeping Beauty)’.
• Nature, Feeling, and Disclosure in the Poetry of Wallace Stevens.
• “Fallings from us, Vanishings ...”: Composition and the Structure of Loss.
• Poetic Thinking to Be.
• From Helikon to Aetna: The Precinct of Poetry in Hesiod, Empedokles, Hölderlin, and Arnold.
• What Can the Poem Do Today? The Self-Evaluation of Western Poets after 1945.
• Poetry as Essential Graphs.
• The Shield and the Horizon: Homeric Ekphrasis and History.
• The Myth of Man in the Hebraic Epic.
• On Medieval Interpretation and Mythology.
• The Epic Element in Japanese Literature.
• A Long Day’s Journey into Night: The Historicity of Human Existence Unfolding in Virginia Woolf’s Fiction.
• The Existential Sources of Rhetoric: A Comparison Between Traditional Epic and Modern Narrative.
• Metaphor and the Flux of Human Experience.
• The Literary Diary as a Witness of Man’s Historicity: Heinrich Böll, Karl Krolow, Günter Grass, and Peter Handke.
• The French Nouveau Roman: The Ultimate Expression of Impressionism.
• The Birth of Tragedy out of the Spirit of Music: Claudel, Milhaud and the Oresteia.
• Tragedy and the Completion of Freedom.
• Hardy’s Jude: The Pursuit of the Ideal as Tragedy.
• Values and German Tragedy 1770–1840.
• La Destinée de la tragédie dans la culture Islamique.
• Toward a Theory of Contemporary Tragedy.
• The Re-emergence of Tragedy in Late Medieval England: Sir Thomas Malory’s Morte Darthur.
• Tragical, Comical, Historical.
• The Denial of Tragedy: The Self-Reflexive Process of the Creative Activity and the FrenchNew Novel.
• Tragic Closure and the Cornelian Wager.
• Intuition in Britannicus.
• Myth and Tragic Action in La Celestina and Romeo and Juliet.
• Du désordre à l’ordre: le rôle de la violence dans Horace.
• The Act of Writing as an Apprehension of the Enigma of Being-in-the-World.
• The Truth of the Body: Merleau-Ponty on Perception, Language, and Literature.
• Fiction and the Transposition of Presence.
• The Structure of Allegory.
• Literary Impressionism and Phenomenology: Affinities and Contrasts.
• Phenomenology and Literary Impressionism: The Prismatic Sensibility.
• Un modèle d’analyse dy texte dramatique.
• The Problem of Reading, Phenomenologically or Otherwise.
• Index of Names.